New acquisiton - a gift from Canterbury Cathedral
(4 May 2020)

Museum Curator Jasmine Allen observing the Damson Tree test panel in Canterbury Cathedral StudiosMuseum Curator Jasmine Allen observing the Damson Tree test panel in Canterbury Cathedral Studios
Canterbury Cathedral’s world-renowned stained glass studio has gifted a beautiful contemporary glass panel designed by Hughie O'Donoghue RA to The Stained Glass Museum.
Canterbury Cathedral’s world-renowned stained glass studio has gifted a beautiful contemporary glass panel to The Stained Glass Museum.

The gift is of a recent test panel created for the Cathedral’s Damson Window, which was designed by Hughie O’Donoghue RA and made by the Cathedral’s own stained glass studio artist, Grace Ayson in 2018.

Representatives of Canterbury Cathedral present the gifted Damson Tree panel to The Stained Glass Museum. From left: Receiver General, Chris Nickols, Director of Cathedral Stained Glass Studio, Leonie Seliger, The Stained Glass Museum Director & Curator, Jasmine Allen, Stained Glass Conservator, Fernando Cortes-Pizano, Stained Glass Artist, Grace Ayson, Richard Oldfield, and Dean of Canterbury, the Very Revd Dr Robert Willis (Image © Canterbury Cathedral)

The Damson Window, located in the northern walkway of Canterbury Cathedral Cloisters, was made to honour the contributions made over many years to the life of the Cathedral by Richard Oldfield OBE DL. The subject for the window was inspired by a damson tree in the dedicand’s garden. The test panel was beautiful in itself and extremely useful in determining what changes had to be made for the whole window, but because of those changes, it never became part of the finished window. Rather than letting the panel sit unseen in a store, it was offered to The Stained Glass Museum.

Director and Curator of the museum, Jasmine Allen said “We were delighted to receive this gift from the Dean and Chapter of Canterbury Cathedral as an example of 21st century stained glass. It is fantastic to add to our growing collection a panel connected to Canterbury Cathedral, which demonstrates a fruitful contemporary collaboration.”



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